Well, ladies and gentlemen, another decade has flashed by as well as a whole 10 years of movie releases. I won’t waste anymore time. You know exactly what that means…
25. Enemy (2013)
Denis Villeneuve’s Enemy is very dissimilar to anything in the artist’s filmography. It’s very small-scaled, concise, and abstract in its presentation. Villeneuve’s 2013 paragon is about a college professor played by Jake Gyllenhaal who discovers an actor that looks exactly like him. The results that dispute in this eye-catching storyline are potent, unexpected, and ultimately polarizing. But the more and more you think about what happened in Enemy, the more and more you begin to realize that it truly is a cinematic treasure.
24. Moonrise Kingdom (2012)
As of the moment, Moonrise Kingdom is my all-time favorite Wes Anderson film, and probably because I saw it during my adolescence when it first came out. Being the same age as the two main characters in this film gained so much value for me because I harshly related to what our leads were going through at that time. Now, gazing back at the film as an adult, I can furthermore appreciate just how perfectly it encapsulates young love. Moonrise Kingdom is endearing, spirited, and, in all likelihood, my favorite looking Wes Anderson movie as well.
23. Moonlight (2016)
Sticking on target with movies that involve love and sexual awakenings, here we have Barry Jenkins’ directorial debut, Moonlight. This motion picture journey I would confidently describe as technically flawless. There’s literally nothing in terms of execution, directing, and visual presentation in this film that is anything below marvelous. Moonlight is the quintessential drama about someone growing up in a poor neighborhood and family while simultaneously dealing with a secret that isn’t necessarily accepted in society. It’s a beautiful, heartbreaking three-part exploration.
22. Snowpiercer (2013)
South Korean legend Bong Joon-ho made an American feature-length back in 2013 that was harshly criticized by audiences for its lack of “story-wise” plausibility. The thing is though, Snowpiercer isn’t trying to be quote on quote “realistic.” It’s trying to show you the ugly truth about human nature, which is, that no matter the absurd situation, social-class will always stay relevant. To me, Snowpiercer is a science-fiction cult classic that is brimmed with fantastic set pieces, memorable characters, and some of the coolest shot action sequences I’ve seen all decade.
21. Call Me By Your Name (2017)
Tiimothée Chalamet and Armie Hammer exemplify one of the most realistic human connections that I’ve ever witnessed on screen in Luca Guadagnino’s Call Me By Your Name. This adaptation is a natural, gorgeous progression in showing you two men who are in love during the 80s in Italy. There’s not a whole lot to it than just that, but the charm of the movie is just simply its down-to-earth presentation. Plus, it has one of my favorite endings to a romantic drama ever. Hopefully, the sequel doesn’t ruin it.
20. Blade Runner 2049 (2017)
If there’s any director out there that deserved to make a sequel to Ridley Scott’s science-fiction classic (and one of my favorite movies of all-time) Blade Runner, it had to be Denis Villeneuve. In full boldness, I can say that Blade Runner 2049 is the prettiest-looking movie in this history cinema. Roger Deakins is a god. Storywise, Blade Runner 2049 is also considerably powerful. Simple, yet powerful. This is far and beyond one of the best sequels ever made, purely because it is respectful of its predecessor and legitimately adds something worthwhile and needing to the story of its source material.
19. Prisoners (2013)
Believe me, you’re going to see a good chunk of Denis Villeneuve films on this list, and that’s just because he’s the very definition of a modern master. Prisoners is one of the best David Fincher films not made by David Fincher. And, clearly, it’s not made by him because, all though, it follows a similar, gritty detective premise like a lot of Fincher movies, its execution and plot plays out a lot differently than a Fincher project. This movie puts you in such a terrifying, disrupting situation that you could hardly even fathom happening to you or your own family—and that’s why it works so well! This movie gets real deep under your skin, especially during its epic climax and haunting final sequence.
18. Good Time (2017)
Good Time: the most moving (literally) or “always-on-the-run” motion picture ever, one of the most aesthetically pleasing projects in the visual department, and easily the most stressful movie I’ve ever had to sit down and watch. The Safdie Brothers are gems to the new world of stress-urging cinema, and Good Time is about as far-out you can possibly go in replicating the throbbing feelings of hysteria. I wish I could watch Good Time for the first time ever again, as it was an unforgettable experience that I had no clue what I was in for.
17. Django Unchained (2012)
Quentin Tarantino’s seventh feature-length is a twisted, stylized spin on the Spaghetti Western genre. Like most Tarantino major motion pictures, Django Unchained is an orgy of endless amusement that, all though, is often difficult to watch due to its touchy and disturbing subject matter, is the very embodiment of a dynamic take on the fictionalized history adventure/hero flick. The dialogue and performances are miles beyond extraordinary and the film has one of the goriest and most satisfying shootouts in the history of cinema. Yes, please!
16. Her (2013)
Spike Jonze’s acclaimed Oscar-winning hit is both scary and beautiful. Scary because of its realism and profound insight into our very future with where technology is taking us and beautiful because it manages to make a human and robot (of artificial intelligence) relationship blossom into something that many would describe as true love. It genuinely takes a skillful cast and crew to make such an unorthodox and almost laughable premise function in such a down-to-earth and riveting manner.
15. A Ghost Story (2017)
A Ghost Story isn’t necessarily a movie that’ll appeal to everyone, yet it’s certainly a movie that’s about all of us. It’s a hypnotic exploration of life and death. It’s almost like the elongated version of what we would most likely urge to see right before we died. Like Terrence Malick’s Tree of Life, David Lowery’s A Ghost Story is a compelling take on existentialism: what life really is and what it might be like if life were to cease. It’s so hard to compare the execution of A Ghost Story really to any other movie that’s ever been made. It’s holy original, addicting to look at, and truthfully a movie that I would consider severely overlooked.
14. The Florida Project (2017)
If there were anything out there that could possibly (be prepared to hear something that will probably sound awkward and strange) make me feel like a child again, it would be The Florida Project: a movie about a group of kids living in an impoverished area. This entire film doesn’t even really feel like a film; it’s like you’re 100% looking in on the everyday life of some families who don’t have necessarily the most wealthy lives. Not only are the child performances in this movie hands-down the greatest child performances to ever be showcased on camera, but the atmosphere of the movie is hands-down one of the most genuine, heartfelt encapsulations of American poverty lifestyle in the existence of fictional storytelling.
13. Incendies (2010)
“One plus one, does it make one?” is still one of the most effectively used quotes in the history of cinema—and if you don’t know the context of the scene, please don’t search up the scene on YouTube; go watch the whole movie! Overtime, I have grown to consider Incendies to be Denis Villeneuve’s masterpiece. This is rightfully his most f****d up movie of his entire filmography as well as his most relevant feature-length to date. It’s a heart-wrenching magnum opus.
12. Suspiria (2018)
Well, onto the most underrated horror movie of this entire decade. Luca Guadagnino’s Suspiria is a downright serpentine of muddling intentions. It’s not a pretentious flick; it’s a scary flick—like how most horror movies should be. The majority of criticisms I’ve heard about this film are glaring reasons into why I think people have stopped appreciating what makes horror real horror. Is it real horror if the plot makes complete sense or gives you full closure—like what some people seem to want these days more than to be terrified of unblemished execution and editing techniques—or is it a movie that delivers eerie, unnerving confusion, imagery that burns directly into your eyes for all of eternity, and ear-wrecking music. Just saying.
11. It’s Such a Beautiful Day (2012)
Easily the most passionately crafted and emotional of the films on this list, It’s Such a Beautiful Day is an obnoxiously overlooked and underrated animated masterpiece that depressingly showcases life itself. Its narration is creative as hell and unlike anything else. Its themes are well progressed and relatable to nearly every living being on this planet—take your dog to see this one, I guess. Plus, the incredible soundtrack is used in the most constructive way I’ve seen used in an animated motion picture. It still blows my mind that Don Hertzfeldt made this movie with only a couple other people. It’s an artistic feat if I’d ever seen one.
10. Inherent Vice (2014)
This may sound harsh, but the type of people who hate Inherent Vice are most likely the type of people who know their opinion on a movie the moment the movie ends. No wonder Inherent Vice has received such negative reception by audience members because this is not an easy movie to digest at first glance. Structurally it’s a clusterf*** of intentional dilemmas and the story, in essence, doesn’t really add up in a perfect little circle. But, Paul Thomas Anderson’s 2014 hippie mystery noir is the type of film that only gets better the more you recollect the confusing and utterly unique experience of the poisonous hallucinations that the motion picture took you on. If drugs were a movie, it’d be Inherent Vice: a masterpiece in progressing cinema to new, undiscovered territories.
9. Burning (2018)
Lee Chang-dong’s Burning has the most unsatisfying satisfying ending in the history of storytelling. This masterclass in slow-burning progression has possibly the evilest finale to accompany a motion picture ever—and I f*****g love it. It took me about a year to realize that this movie is evidently flawless. It also took me a year to realize that The Academy (AKA, the worst movie award show ever since The Golden Raspberry) doesn’t deserve this movie—especially after they decided to not even nominate this masterpiece for best foreign film, furthermore continuing the company’s racist trend of never nominating a South Korean flick in the show’s entire historical runtime. Hopefully, spot #7 will break that trend!
8. Mad Max: Fury Road (2015)
Is it okay for me to say that this is the best action blockbuster ever made? Because it is. Mad Max: Fury Road is the grandest show-off movie of this entire century, meaning that it basically was made to make every other action movie in the world look like garbage. This is a flick of sheer, madcap craziness with practical effects shining left in right, colorful explosions imploding the screens, and a faultless return to the iconic Mad Max series. It’s literally a post-apocalyptic lover’s wet dream.
7. Parasite (2019)
Now, I’ve already said plenty of things about Bong Joon-ho’s greatest achievement yet, so if you’re curious, I’ll link my full review of it. Otherwise, all you need to know about this movie is that it’s the most fun I’ve had in the theaters ever. Check out my review: CLICK HERE
6. The Lighthouse (2019)
Yet another movie I’ve already said plenty about. It’s a TRIUMPH! It’s belly-achingly FUNNY! It’s quite HORNY! Check out my review: CLICK HERE
5. The Lobster (2015)
Arguably the best romantic comedy of this entire century, Yorgo Lanthimos’s The Lobster is the most fitting depiction of dystopian relationships ever—even though people literally transform into animals in this movie. Despite the fact that this entire movie is “lore-wise” absurd and goofy, sprinkled with awkward, clunky dialogue, and kind of meant to just make you laugh or feel extremely uncomfortable, it has so many things to say about modern and future society. The Lobster artistically investigates our desperation for love and our hatred of the taboo. It’s a personal favorite of mine!
4. The Social Network (2010)
It takes god-like talent to make a boring-ass story about the creation of Facebook into debatably the most interesting drama in living memory. So, it makes sense that both David Fincher and Aaron Sorkin were the leading minds behind The Social Network. There’s not a whole lot to be said about this movie that hasn’t already been preached about by critics. It’s witty, fast-paced, always investing, and constantly wrapped up in exploiting the modern-like rivalries between friends and foes.
3. Under the Skin (2013)
The best way to describe Under the Skin is to pitch it as if 2001: A Space Odyssey took place primarily on Earth, and I swear to you, it is almost as good as Stanley Kubrick’s classic. It’s easily the most underrated movie of this entire decade; it hurts me that almost nobody talks about it despite its legendarily flawless and groundbreaking quality. If aliens actually came to Earth to try and take us over, this is how I imagine it would happen—in utter, traumatizing and psychologically unimaginable ways.
2. Melancholia (2011)
Lars von Trier is a controversial director, sure, and this is most likely going to be a controversial choice. However, give me a chance to explain myself. Depression is something everybody goes through, right? It’s a natural asset of the human persona. Melancholia, as the title may suggest, is about depression, and as pretentious as it may sound, it is the artistic entity of depression. This is the #1 film, to me, that has most accurately depicted the bipolar disorder. Melancholia is a (hopefully soon-to-be) classic that is, on paper, about the end of mankind as we know it, but really, the perfect vetting of our misery. If aliens (yes, I’m using aliens as an example again to describe a movie; shut up) ever came to Earth after we were long gone and wanted to understand us and our symptoms of depression, all they would need to do is pop in a Blu-ray copy of Melancholia, and voila, they will learn!
1. The Master (2012)
The Master is the finest made movie of all-time. There I said it. Is it my favorite movie ever? No, second favorite actually—beaten by A Clockwork Orange. But, personally, I genuinely believe that The Master, in terms of filmmaking technicalities, is the most perfect movie ever—even more so than The Godfather, which most people often claim to be cinema’s best-made film. Paul Thomas Anderson’s greatest masterpiece is one that intricately observes manipulation, partnership/love, belief, leadership, purpose, and addiction all in a flawlessly balanced and persuasive manner that hasn’t been executed in such an uncanny fashion in the history of cinema as it has in this movie. Did I also mention that The Master is the best looking, best acted, and best-written film of all-time? Enough said. To the kiddos who say cinema isn’t nearly as good as it is now: s-h-u-t u-p.