As you can imagine, Park Chan-wook going soft doesn’t exactly equate to a particularly happy-go-lucky narrative given what he’s known for. Sure, there aren’t people being bludgeoned to death with a hammer or even just steadily tortured with a paper cutter in Decisions to Leave, but the heartache that Chan-wook’s characters frequently accumulate to certainly simmers beneath every perverted act sparked between insomniac Detective Hae-joon and suspect Seo-rae. In classic noir fashion, Chan-wook follows our curious lead as he labors to decrypt the femme fatale, and in classic Chan-wook fashion, he engulfs our attention with eager visual splendor to support his unusual romantic affairs.
Nobody leaves unless it’s to belong again. Hence, decisions.
“Decisions to Leave” is now playing in select theaters.